The two microphones are then mixed with the top microphone twice as loud as the lower one. distance, the other looking at the soundboard horizontally, from about the same distance. One from right behind the harp, facing the Soundboard from about 20 in. Experiment, slightly moving behind the harp, pointing downwards from the right essentially opposite the player’s head, just a little higher.Īnother good placement for Orchestra and Live play have been reported by using 2 Dynamic cardioid microphones with a tighter smaller field. If this effect is not wanted then different positions can be tried. As a side effect, it will often transport the Harp slightly to the foreground of the orchestral sound image. This placement will bring out the higher frequency aspects of the harp without sounding too boomy. The microphone should be moved further away from the harp if there is room for the player given the space he or she is in. The Most Popular Placement -A very good placement and a starting point is an area around the top of the Harp’s Pillar, with the microphone capsule pointing down towards the soundboard of the Harp. So when you pluck a string the vibration travels down the string to the base and through the holes in the bridge and hits the Soundboard and projects outward. Then, in turn, the soundboard causes the air within the volume enclosed in the soundbox to vibrate, acoustically amplifying the sound produced by the vibrating strings. It’s caused to vibrate by the vibrating strings that are firmly fastened to it. The soundboard is usually made of Sitka spruce that is the same wood used in piano soundboards. Several of the parts of the Harp help to make it’s sound loud enough to be heard throughout a room or concert hall. There is a Bridge that attaches and is fixed at the base of strings and connects the vibration of the strings to the Soundboard of the Harp. So be sure to set up the position while the player is actually playing at the instrument, otherwise, you may find your placement to be quite different and wrong lacking sound. The instrument tips quite significantly when the player performs. Generally around 20 inches from the instrument. Harps like other strings sound just fine with small diaphragms. 20 inches is pushing it but should do it, but should be sufficient room. If you get too close, you run the risk of getting in the player’s way. This tension keeps everything taught in front of the Harp.Ĭoncert harps are large instruments. On the other side of the post, the string is attached and tied to a post. They then run down the length of the Harp and are inserted into small holes on the Soundboard. A Harps is a stringed instrument where the strings attach to the top or neck of the Harp. To understand how to properly mic a Harp if you have to know how a Harp creates a sound. Used in Orchestras around the world and by Soloist, they are a beautiful sounding ancient instrument that demand to be played and presented the right way. Harps normally stand between two and six feet (60 to 180 cm) in height and have between 22 and 47 strings. Harps are beautiful instruments to the eye and often remind viewers of the instruments angels allegedly like to play in heaven. In Egypt as far back as 1500 BC and may have been present in Mesopotamia which is Iraq as far back as 2500 BC. With the right Microphone and Placement, the beauty of the Harp can be realized and enhanced but without these two, well-known ingredients, the wide array of frequencies it can produce will be muddied and left behind. Or about 2 feet back from the center of the strings 20 inches from the Pillar pointing down towards soundboard or Slightly behind the Harp, pointing down.ġ Mic Mono Recording large-diaphragm condenser placed just above the soundboard.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |