That detail may have been placed there to create suspense, but it mostly just felt strange that her mother would write it down rather than speak it aloud.Īs for the main action of the episode, the Battle of the Alamo was well done and a wonderful spectacle. Fortunately, Lucy hasn’t had to push too hard for information on her real father, but it was oddly frustrating to end the episode with only a piece of paper with a name written on it. Lucy took a rare back seat this week but got her own emotional moment with her mother, who doesn’t like the toll her job at Mason is taking on her daughter. His eureka moment in using the grenades was a little obvious, but it’s still nice to see him win the day. With a quick nod to slavery being outlawed in Mexico (nice touch!) Rufus was able to hone in on the aqueducts as an escape route, giving his character something useful and noble to pursue. ![]() It’s refreshing to see Rufus take such a key role in figuring out solutions that Lucy’s historical knowledge or Wyatt’s military might can’t uncover. Rufus and Lucy’s insistence on keeping the soldier that they’d grown to trust was successful way too easily, to be honest, but it created further bonding for a group of leads whose chemistry has really carried the show. He has been pretty hard on himself on that score in previous episodes, so his acquiescence felt right. It was a nice change of pace to see someone like Wyatt perfectly willing to give up his spot due to his failure to take out Flynn. This is especially true given his replacement waiting back home. As foolish as it would be to stay with the doomed Texans, his reluctance to leave was understandable. Although his memories were a little shoehorned in, they did provide a nice parallel to the situation at the Alamo, especially when he had to follow Lucy and Wyatt through the aqueducts to return home. On the other hand, humanizing him through his appeal to Santa Anna to spare the women and children went a long way towards smoothing over his mission flaws.Īnd speaking of humanizing, Wyatt took center stage by being reminded of a similar military encounter he undertook in modern times, bringing his guilt to the surface over having abandoned his men. From a narrative standpoint, this makes sense, since Lucy, Wyatt, and Rufus have to put things right again, but the character is weakened by his own oversights, such as taking out Colonel Travis but not Bowie or Crockett. The biggest problem with Flynn that’s beginning to emerge is that he chooses great targets, is brutally efficient, and yet doesn’t always follow through. The characters of James Bowie and Davey Crockett were particularly well-portrayed, deftly avoiding the danger of creating caricatures. Timeless has really set the bar high with its immersive historical settings, which must cost a fortune in set design and costuming, and the backdrop was completely believable. ![]() As a rallying cry of patriotism, they don’t get much more important than this key battle in the Texas Revolution. ![]() That being said, the Alamo was a great place for Flynn to try and derail the rise of America and, by extension, Rittenhouse. It’s not a worrisome circumstance - in fact, it was expected - but it dulls the blade a little as this popular new show clears away the brush of its competition. ![]() Some conflicts and character moments were resolved a bit too patly even with the solid story foundation and strong chemistry the cast has built up very early in the season. For the first time since the season began, Timeless focused almost solely on the historical event in which it was set, and although “The Alamo” was still entertaining, the “time period of the week” syndrome has now revealed itself, which may be a problem if it repeats too often.
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